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12 Fact-checking and managing mistakes

Fact-checking can happen at either (or both) of two points in the journalistic process: Before or after something is published.

Independent fact-checkers checks facts after publication. This is what the websites, listed in Chapter 3, do. Often known as political fact-checkers, these people are often working independently of any news organization, scrutinizing content found elsewhere. Their titles might be “fact-checker,” but they’re working as journalists, or at least in journalistic roles.

These people fact-check information by breaking down the facts in political advertisements, political statements, political speeches or in news releases. The fact-checkers examine the content of these forms of communication for truthfulness and accuracy.

A fact-check of a political ad might be formatted like this:
  • Lead paragraph: Who is airing the ad? Where? What office is the person running for?
  • Second paragraph: Describes the ad. Explains what viewers see when watching the ad.
  • Body of the story:
    • What the ad says: (First fact, quote or paraphrase.)
      • Fact-check: (Reporting on the accuracy of the statement.)
    • What the ad says: (Second fact, quote or statement.)
      • Fact-check: (Reporting on the accuracy of the fact, quote or paraphrase.)
    • Continue the format: (third paragraph, fourth paragraph, etc.)
  • End the story with a strong fact or quote.

Editorial fact-checkers are part of a publication’s in-house editorial team and do their work before information reaches the public. Stories are written and edited, but before the story is finalized, it is checked for accuracy by designated people on the editorial staff or by freelance fact-checkers.

Those editors, who sometimes work exclusively as fact-checkers but might check facts as part of broader editing roles, take a number of steps to check facts. These are the steps suggested by The Poynter Institute for Media Studies:

  • Find at least two sources to verify information. Use reliable sources and websites.
  • Ask the writer for source materials. Check the text against recordings, documents or notes.
  • Trust your gut. If something seems odd, check it.
  • Don’t assume you know something is correct. Don’t assume writers and reporters are good at math. Don’t assume that “facts” repeated from other media are accurate.
  • Once you find a mistake, you’re not done. Look over the entire piece with your eagle eye so you are sure to spot all the errors.

There are two main models of editorial fact-checking: the newspaper model and the magazine model.

Newspaper model

In the newspaper model, copy editors or other editors at the publication will spot check facts that appear in stories that are being prepared for publication.

It often works like this: After a reporter turns in a story, the reporter may work with a line editor to go over the details of the story. These can include structural as well as factual details. Is anything missing? Is anything unclear? Does the story follow the correct format?

After finishing that process, the reporter knows to be on call. As the editing process continues, another editor, possibly a copy editor or another high-level editor, may call the reporter seeking clarification about facts in the story.

Ideally, all of these questions are answered before publication. But even after publication, people — including readers — may question information in the story, and the reporter may yet again need to clarify information or fix a mistake.

When a mistake or unclear fact isn’t caught after publication, and some readers see it, the newspaper will then publish a correction or clarification. (More on this, below.)

Magazine model

The magazine model differs from the newspaper model in one primary way: In addition to copy editors and other editors, magazines often hire fact-checkers to examine stories before publication. So, after other editors have worked with the reporter, a fact-checker goes over the story line by line in order to double-check every fact in the story.

The fact-checker does this by researching the story online or in other publications, including books. The biggest difference in the magazine model is the fact-checker contacts sources named in the story. The fact-checker will ask the source a series of questions to double-check the story.

Any errors or inconsistencies the fact-checker finds will be documented and sent back to the reporter. Then it’s the reporter’s job to figure out what needs to change in the final version of the story.

Clearly, newspapers and magazines utilize these models for fact-checking, but they aren’t the only ones. For instance, long-form podcasts sometimes employ fact-checkers who follow the magazine model to eliminate problems before publication.

As you read, above, independent, political fact-checking is done by journalists who scrutinize political ads, statements, news releases and social media posts — that have already been published or aired — for accuracy.

Editorial fact-checking is done before pre-publication, in-house as part of a news outlet’s editorial process. Stories are written or produced and edited as well as fact-checked for accuracy by designated people on the editorial staff. This happens before the story is published.

However it’s done, the goal is to maximize the accuracy of information that’s published or broadcast. It’s a multi-step process that starts once the story is near completion. Here are the basic steps:

  • Identify all of the sources in the story. Obtain contact information for people sources.
  • Next, identify statements of fact in the story. (Subjective statements attributed to sources don’t need to be fact-checked.)
  • Contact sources (preferably via a voice or video call) and ask them to confirm or correct factual information.
  • Separate information provided by sources:
    • Things that need to be corrected (factual issues)
    • Vs. things that might need to be clarified.
  • Make a report of corrections and clarifications for editors to consider as they finalize the story.

MAGAZINE FACT-CHECKING: Here’s an example of what one fact-checker found
by going over a story with one of the story’s sources before publication:

(Factual issues in a story draft shared with the source of the information:)

What the story says: Source lives at the hub of five New England colleges, and her book collection has been used for years by local professors who would borrow materials for classes or bring their students to sit in her library

What the source said: No. No one ever borrowed materials for classes.

Story: (Referring to a rare book.) There are three known copies of this book. One is at Smith College, the other two were, until recently, in the massive private collection of (source). Now, both copies belong to the university. … Source remembers the acquisition: “The auction was attended by nearly every bookseller in the universe.”

Source: You’re conflating two books. I owned one of the copies of that book. From around 1989. A second copy appeared at an auction. That copy is a fragment.

Story: In the 1980s, when she found her focus in the forgotten, buried or suppressed aspects of women’s history, her collecting began in earnest.

Source: It was in the 1960s, not the 1980s.

Story: Source lives in a 19th century white wooden farmhouse with a cheery red door and weather vane on top of the cupola

Source: Late 18th century.

Story: The book was given in a specially-made silk purse, embellished by hand with stitched hearts, seed pearls, and glass beads.

Source: It’s a pouch, not a purse.

To err is human; to correct, divine

Here’s another reason to check facts. Journalists want to avoid mistakes as much as humanly possible: Mistakes erode credibility. Or, put more positively, the fewer your mistakes, the higher your credibility. And that’s the goal of good, informative journalism.

“Corrections are a fundamental building block for trustworthy journalism.”

The Poynter Institute for Media Studies.

Mistakes can range from typos to egregious factual errors. But the most common ones are something in between. Many journalists will tell you the No. 1 mistake they want to avoid is misspelling someone’s name.

Why? Well, how do you feel when you see your own name misspelled (or hear it mispronounced)? Exactly. Names are not only key facts in a story. Names are keenly important to the people you’re writing about and to.

If readers or viewers see a name misspelled — their own or someone else’s — in a story or on a screen, it often jumps out at them more than any other mistake. What’s more, the audience member might then wonder if the reporter got other facts wrong.

Here’s a correction from a New York Times story about classic Christmas movies:

A correction was made on Dec. 5, 2023:

An earlier version of this article misidentified one of the cast members of “Elf.” She is Zooey Deschanel, not Emily Deschanel.

A lot more goes into this than meets the eye of the reader.

If a mistake ends up being published, it’s usually considered a big deal. At The Birmingham News in Alabama (now known as al.com) editors and reporters had to complete a form and return it to the executive editor — the highest-ranking editor at the paper — any time a correction had to be published. Here is the form the reporter or editor responsible for the mistake was required to fill out. It gives a sense of how seriously the publication took getting facts correct:

EXPLANATION OF CORRECTIONS/CLARIFICATIONS

Today’s date:

Date of original article:

Date correction ran:

Person responsible for mistake:

How did we learn about the need for correction/clarification?

How was the mistake made?

Which of the reasons contributed to the mistake? Check all that apply.

  1. Reporter misunderstood information or proceedings.
  2. Reporter didn’t check certain facts (name, phone number, location, etc.).
  3. Reporter made mistakes in notes or misread notes.
  4. Wrong information provided by source or records.
  5. Editor changed material.
  6. Headline failed to match story.
  7. Photo ID information wrong.
  8. Cutlines failed to match photo ID.
  9. Use of outdated background material.
  10. Math mistake.
  11. Other.

_______ Staffer has called and apologized for the error.

What will you do to prevent similar errors?

Your name:

Supervisor’s initials:

Attached copy of the error and the published correction/clarification and give to your immediate supervisor the day the correction/clarification runs. Supervisor will provide a copy of this form and attachments to executive editor on the day received.

So, as you can see, mistakes big or small can call the reporter’s credibility into question. “This story is full of typos,” the reader might think. “I don’t trust that this story is well reported.”

But hey, that’s a lot of pressure, right? As Alexander Pope famously wrote, “To err is human.” Sure, that’s why we said journalists avoid mistakes as much as humanly possible. It’s an important first step. But when mistakes are inevitably made, there’s another step for maintaining credibility: correcting them.

Legitimate, trustworthy news sources strengthen their credibility by acknowledging mistakes and publishing corrections. No matter how big or small the mistake, running corrections, most importantly, helps audience members get the right information.

What if a fact wasn’t technically incorrect? Maybe it was unclear instead. If published information is unclear, the publication can run a clarification rather than a correction. That would involve publishing an explanation of information in a way that makes it clearer even if the information was factually correct.

So, journalists do this by publishing lists of corrections and/or clarifications or appending changes to individual online stories and citing the correction at the top or bottom of the story.

Again, there’s also a connection between correcting mistakes and clarifying information and the primary theme of this book. Some news consumers will point to mistakes — and even corrections — and claim it’s disinformation (or “fake news”). But it’s not. Remember our definitions? Misinformation can include, among other things, honest mistakes and misunderstandings. Correcting misinformation is good journalism.

Chapter 12: Questions to Consider

What part of this statement should you fact-check?

  • The mobile home fire did $500,000 worth of damage.

What part of this statement should you fact-check?

  • Harrison Ford married Ally McBeal in 2010.

Find two sources to fact-check the two previous statements.

Are they correct? If so, how? If not, what is incorrect?

 

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